A Video Review Of Mulan

By: Phil Vischer

Mulan


I really didn’t think I was going to like this film. The story, about a Chinese girl who dresses like a man so she can go to war, doesn’t exactly sound like a knee-slapper. But it’s good. Really good. In fact, this may be the best Disney film since "Beauty & the Beast." (I was never much of a "Lion King" fan.) Like all Disney animated films, "Mulan’s" production values are exceedingly high, making Warner Bros.’ recent "Quest for Camelot" and Fox’s "Anastasia" look a bit amateurish. But what sets "Mulan" apart from recent Disney fare is the overall entertainment level and the moral quality of the characters. Although the comical dragon voiced by the not-so-Asian Eddie Murphy comes across annoyingly ‘90’s Western at times, most of the other characters, and in particular Mulan herself, are really admirable people. Evidently Disney thinks family values were alive and well in ancient China because the film is filled with themes like courage, honesty and loyalty... half the Book of Virtues right there! Apart from Murphy’s often hilarious but rather snide dragon, the film is virtually free from the sarcasm, cynicism and disrespect that mar many recent family movies.

Mulan herself is particularly admirable. When a Hun invasion requires all Chinese families to send an able-bodied male to the Emporer’s army, Mulan’s sickly father prepares to leave, determined to uphold the family’s honor. Unable to tolerate the thought of her frail father in battle or her mother as a widow (yes, more new ground for Disney... Mulan has two parents!), Mulan cuts her hair short and runs off to join the battle in her fathers place. She doesn’t do it to be macho or because she has a chip on her shoulder, she does it becuase she loves her family. Wow!

At the end of the film as Mulan is being honored for saving the day, the Emporer gives her the opportunity to serve on the royal council... China’s first career woman! But what does she do? She declines the offer and returns home to her family! My jaw dropped! This is from Disney? In Hollywood?!?

Well, not exactly. Mulan is actually the first film created by Disney’s Orlando animation studio. You know... the one in the theme park with the "animators under glass." Is it possible that these animators, working within sight of a constant stream of real kids and real parents were a bit more in touch with their audience than their brethren locked away in Hollywood’s ivory towers? They’ve been the butt of many industry jokes for working all these years in a "fishbowl," but if that’s what it takes to make a sensitive, caring film like Mulan that entertains in all the right ways, I might suggest that every animation studio in America install glass walls and bus in the kids! Perhaps the best way to develop artists with conscience is to keep them constantly in touch with those their art affects the most.

Concerns

Even though the film is about a war, it is not particularly violent nor unnecessarily frightening. Overall, the battle scenes are tastefully handled. (Much more tastefully, for example, than the scene of Simba nuzzling his dead father in the Lion King!)

There is one element, however, that many parents will find troubling. Recent Disney films have served up a smorgasboard of non-Judeo-Christian religious heritages. "Pocahontas" showed kids how Native Americans worshipped the "spirits" of the water, land and trees. "Hercules" taught them good old Greek polytheism ("Oh my gods!"). "Mulan" continues the tradition with a crash course in ancestor worship. None of this is necessarily bad, mind you, as eventually, kids need a basic understanding of world religions. But Disney doesn’t stop there. After we learn that Pocahontas believes there are spirits in the trees, we meet Grandma Willow, the wise old spirit of a willow tree who guides Pocahontas. In effect, Disney is saying "Native Americans believe there are spirits in the trees... and look! They’re right!"

In "Mulan" the case is even stronger. Desperate for help, Mulan burns incense and prays to her ancestors. Sure enough, the ghosts of her ancestors spring to life and hatch a plan to help her! (Eddie Murphy’s comical dragon is actually a "guardian" sent by the ancestors to aid Mulan.) "The Chinese believe that their ancestors hear their prayers and answer them," Disney is saying, "and look! It’s true!"

Once again, it’s one thing to present the religious views of another culture in a film for kids; it’s another thing to present those views to kids as truth. Knowing this was an issue in Mulan, I brought my seven year old daughter to see the film with me. She loved it. In the car on the way home, after letting her recite all her favorite lines for a while, I asked her if she noticed to whom Mulan was praying. "Her ancestors!" Do we pray to our ancestors? She laughed. "No!" Why not? "They can’t do anything!" I smiled. She got it.

Raising kids with clear religious beliefs in a society so hopelessly muddled is quite a challange. Because I parented proactively (that time, anyway), I was able to use a film like "Mulan" to help my daughter clarify her beliefs by discussing the differences with another world religion. Of course, I also have a three year old, whom I would not take to Mulan. Most kids 4 or under simply are not able to see something with their own eyes and then say "that’s not true." For those kids, the religious messages of films like Pocahontas and Mulan may be dangerously confusing.



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